Similar To Songs, Images Can Provoke Powerful Memories

Late Spring Clearing Storm

Clearing Winter Storm, Yosemite National Park
Canon 1DsMKII, 24-70mmL @ f/20, 1/5th second, ISO 100, Singh-Ray Neutral Polarizer, Singh-Ray 2 stop GND

I have been photographing the beauty and splendor of Yosemite for the past 40 years. I’ve been lucky enough to photograph many clearing storms with sunset light but none as beautiful as this one in early March of 2006.

Perhaps even more fortuitous, I was one of only five photographers lucky enough to make it to the Tunnel View lookout as park rangers were strongly urging visitors to leave the park due to high winds and falling trees and branches.

There must be a story here, and you are right, but not just any story; this is one that actually was a career-changer!

Living within a 2 1/2 hour drive of the park allows me the freedom to chase storms. On March 2, 2006, I was tracking an extremely cold storm with a snowline of 1500 feet – well below the Valley’s 4,000 foot range. I set my alarm for the wee hours of the next morning (March 3) and set off to photograph fresh snow.

On The Front Side Of The Storm

The storm was really just beginning as I entered the park, so I dashed off for a bit a breakfast and allowed for some accumulation to take hold. It doesn’t take long in Yosemite as even an inch or two can give the Valley a fresh look. Pacific storm fronts can come and go quickly and this was a fast mover by all indications.

I spent the better portion of the day driving the loop (Southside and Northside Drive) and occasionally detoured over the El Capitan Bridge. I noticed with each loop that the park was becoming more and more devoid of tourists and photographers. “Where was everyone going,”  I thought to myself, “this is when the good stuff happens!”

I happened to notice one other photographer who was as stubborn as me and enjoying the hell out of himself at every stop. We struck up a bit of a conversation a Fern Creek but mainly stuck to our photography. What I soon realized was happening was that park rangers were asking people to detour the park as they were certain the storm was going to last through the night, and trees and falling branches had already closed two of the park’s main entrances: Highway 40 (south of Tunnel View) and Highway 120. That left only the Merced River Canyon route (Highway 140) accessible.  I had booked a room on the drive up at The Yosemite View Lodge (located just outside the park on Highway 140) so I wasn’t too concerned.

Playing A Hunch

Having lived in the Sierra during my early 20’s, I knew storms could clear within three-to-four hours of clearing the Bay Area. I’d set my radio to San Francisco’s all-news channels – KCBS – and was encouraged to hear that the storm had indeed cleared the Bay Area just after noon. Sunset that evening was listed for 5:53pm (no I don’t have a photographic memory – I looked it up)!

Doing some simple math made me realize that there was an outside chance that this storm could indeed clear (or at least begin to break up prior to sunset). As I made one more loop around Yosemite Village, a ranger did indeed stop me at approximately 3pm and asked if I could leave the park. I told him that I was a photographer and had been monitoring the storm. I further told him that I felt there was a reasonable chance that the storm could break prior to sunset. I believe his response was, “no chance in hell; this one’s going through the night.”

I then asked if I had to leave and he responded with a tepid, “No.” He let me go and I continued down Northside Drive. Tree limbs overwhelmed by the accumulated snow had broken and fallen on the roadway. In fact, it was snowing so hard that the plows could only clear one of the two lanes. I started thinking it might not be a bad idea to heed the ranger’s advice and drive to the hotel. I did stop at Valley View and got out of my car to access the situation, but with no break in sight, I climbed back in and slowly pulled away thinking I’d call it a day.

Divine Intervention Or A Lucky Break?

I hadn’t driven more that 300 yards when out of nowhere a shaft of sunlight burst through the clouds and snow-covered trees. “A divine message,” I thought to myself? I didn’t question it any longer. A quick glance at my watch revealed I still had over two hours before actual sunset. If the sun could break through all these clouds, it just might be a sign that the storm was coming to an end.

There was no other thought in my mind as I neared the Pohono Bridge. I took that shaft of light as a sign that the storm could indeed be breaking and immediately turned left over the bridge and drove to Tunnel View. As I waited with the other four photographers, I struck up a conversation with the photographer I’d met earlier in the day. His name was Gary Hart. It didn’t take long to realize that we had a lot in common – mainly our passion for photography (and sports). Gary had made a career switch, giving up his job at tech giant Intel, while I told him that I was primarily a sports photographer but was looking at transitioning into the world of fine-art landscape. Up to that point, I had kept my landscape photography strictly recreational but had amassed over 1,000 images.

As we continued chatting, the storm kept pounding with no end in sight. I told Gary about the report I’d heard on the radio and that I used to live in the mountains and that we had an outside chance of getting a clearing storm shot. He told me he had no intention of leaving regardless of the conditions until sunset time came and went – I loved his tenacity!

And Now…The Rest Of The Story!

As you can see in the image above, our patience was rewarded (I love it when things work as intended – now where did that ranger go)?

Gary and I stayed in touch, and the following year, I started to assist Gary with his Yosemite workshops. With his encouragement, I started teaching my own workshops two years later.

We have remained great friends and help at each others workshops when our busy schedules allow! Currently we do three each and co-teach an August Monsoon Workshop at Grand Canyon (see links below).

To say the least, that day was one that will always stick in my memory bank!

2014 Photo Workshops – Complete List

5th Annual Magic Light, Moonlight, and Pfeiffer Arch Workshop – Winter in Big Sur and the Monterey Peninsula – January 15-18, 2014 (Only 5 spots remaining)

6th Annual Northern Arizona Workshop – Grand Canyon (full moon), Page (Horseshoe Bend and Upper Antelope Canyon) and Sedona – March 14-18, 2014 (WORKSHOP SOLD OUT :: WAITING LIST ONLY)

7th Annual Springtime in Big Sur and the Monterey Peninsula – Wildflowers, Misty Fog and Headland Color – April 14-17, 2014 (5 spots remaining)

5th Annual Kauai Workshop – Garden Isle and Tropical Paradise – June 20-24, 2014 (early-bird signup discount – contact me for details!) (5 spots remaining)

2nd Annual Monsoon Photo Workshop – Grand Canyon National Park – August 9-13, 2014 (co-taught by Don Smith and Gary Hart – filling fast)

3rd Annual Fall Color in Grand Teton National Park – September 23 – 27, 2014 (2 spots remaining)

6th Annual Arches/Canyonlands National Parks and Monument Valley :: Full Moon Over Red Rock, Arches, Canyons and Monument Valley’s Mittens – October 4-8, 2014 (just added)

4th Annual Bryce Canyon and Zion National Parks :: Bryce Canyon Hoodoos and Zion Fall Color – November 1-5, 2014 (just added)

Software Discounts

Photomatix Pro 4.2 type in code at checkout: donsmithphotography 15% discount

Topaz Software type in code at checkout: SMITHPHOTO 10% discount

Helicon Focus click on link to receive 15% discount

Hardware Discounts

Special September Offer From Think Tank Photo NOTE: (Use Promo Code WS-643)

Gura Gear – 5% Discount – Use Promo Code DSMITHPHOTO

Promote Control

Purchase Fine Art Prints and Cards

Click on this link to purchase prints and cards from a growing library of my favorite landscape images:

When Seasons Collide :: Beautiful Becomes Spectacular

Fall-Color-and-Teton-Range

Fall color and Grand Teton Range after clearing storm.
Canon 5DMKIII, 30mm, f/16, 1/20th, Singh-Ray LB Polarizer, Singh-Ray 2-stop soft edge GND, Lexar Digital Media

It’s hard for me to wrap my mind around the fact that just two weeks ago I was basking in the balmy tropical breezes of Hawaii’s Big Island. Yesterday, I stepped off the plane at Jackson Hole, Wyoming and was immediately thrust into frigid winter conditions. “Where in the heck did fall go,” I thought to myself.

Light snow flurries and a stiff breeze greeted me as I walked towards the terminal. A frozen-looking airport employee told me she was not ready for this type of weather so early in the season. The dismayed look on her face told me that she was not kidding.

I could see the Teton Range slowly emerging from the clouds and knew I may have a window of opportunity to capture two seasons in one. The fall color here in Jackson Hole is at what I would consider nearing peak. Some cottonwoods have already leafed-out while others (along with some aspens) are just now starting to turn.

I am here for the next 11 days teaching two fall color workshops. Our bonus, at least if the temperatures stay relatively cold, it that the Teton Range, spectacular regardless of the season, is covered in snow 2/3rds of the way up.

After I picked-up my rental car and checked in to the hotel, I immediately grabbed my camera gear and headed into the park. Fortunately the clouds were still lifting and the peaks were in full view covered in snow. One of my first stops was near Moose Junction. After composing some grand scenes, I became a bit dismayed as I noticed clouds starting to envelope the range once again.

I decided to wait things our but the snow became heavier. My goal was to stay close to the range in the hopes that the clouds would again break. Soon after entering the south entrance gate along Grand Teton Road, I came across this scene that I have always liked. Much to my surprise, the snow flurries subsided and the clouds did indeed lift, leaving me with this incredible scene of fall color and dramatic peaks of the main portion of the Teton Range.

The soft light made the exposure very easy (I did use a 2-stop soft edge grad to hold down the bright parts of the sky), but other than that, I just worked the scene for various compositions. What was even more incredible was the fact that no other photographer was there – I had this all to myself.

Grand Teton National Park is quickly becoming one of my favorites of all the National Parks. Add some fresh snow and fall color, and it becomes a spectacular site.

It was snowing again this morning when I met up with my long-time neighbor Ali. She has been living in Moose for the past four months and had some out-of-way locations to show me. To say the least, they were incredible and I will use them as part of the workshop – thanks Ali The forecast for the next five days is trending towards more normal conditions with warmer fall-like weather. Conditions couldn’t be more perfect. Workshop #1 begins tomorrow!

2013 Photo Workshops

2nd Annual Fall Color in Grand Teton National Park – September 28 – October 2, 2013 (WORKSHOP SOLD OUT :: WAITING LIST ONLY)

2nd Annual Fall Color in Grand Teton National Park – October 2 – October 6, 2013 (WORKSHOP SOLD OUT :: WAITING LIST ONLY)

5th Annual Arches/Canyonlands National Parks – Full Moon Over Red Rock, Arches and Canyons – October 15-19, 2013 (WORKSHOP SOLD OUT :: WAITING LIST ONLY)

3rd Annual Bryce/Zion National Parks – Hoodoos and Fall Color – November 4-8, 2013 (WORKSHOP SOLD OUT :: WAITING LIST ONLY)

2014 Photo Workshops

5th Annual Magic Light, Moonlight, and Pfeiffer Arch Workshop – Winter in Big Sur and the Monterey Peninsula – January 15-18, 2014 (Only 6 spots remaining)

6th Annual Northern Arizona Workshop – Grand Canyon (full moon), Page (Horseshoe Bend and Upper Antelope Canyon) and Sedona – March 14-18, 2014 (Only 4 spots remaining)

7th Annual Springtime in Big Sur and the Monterey Peninsula – Wildflowers, Misty Fog and Headland Color – April 14-17, 2014 (5 spots remaining)

5th Annual Kauai Workshop – Garden Isle and Tropical Paradise – June 20-24, 2014 (early-bird signup discount – contact me for details!) (6 spots remaining)

2nd Annual Monsoon Photo Workshop – Grand Canyon National Park – August 9-13, 2014 (co-taught by Don Smith and Gary Hart)

Software Discounts

Photomatix Pro 4.2 type in code at checkout: donsmithphotography 15% discount

Topaz Software type in code at checkout: SMITHPHOTO 10% discount

Helicon Focus click on link to receive 15% discount

Hardware Discounts

Special September Offer From Think Tank Photo NOTE: (Use Promo Code WS-643)

Gura Gear – 5% Discount – Use Promo Code DSMITHPHOTO

Promote Control

Purchase Prints and Cards

Click on this link to purchase prints and cards from a growing library of my favorite landscape images:

Purchase Fine Art Prints and Cards

A Life-Altering Shoot

Late Spring Clearing Storm

Clearing Spring Snow Storm, Tunnel View, Yosemite Valley, Yosemite National Park
Canon 1DsMKII, 24-70mmL @f/20, 1/5th second, 100 ISO, Singh-Ray Neutral Polarizer
March 2, 2006
CLICK IMAGE FOR LARGER VIEW

Have you ever been driving along when a song comes on the radio and stops you (not literally) in your tracks? Well, for me, sometimes images can do the same. One of my many projects for this summer is to edit through all of my old images that still reside on DVDs. This morning, I came across a series of images I made from Yosemite’s Tunnel View that I would consider life-altering. The start of a wonderful 7-year friendship and a career-altering moment all rolled up in a incredible clearing storm photo captured at Yosemite’s famed Tunnel View.

Let the Story Begin

Back on March 1, 2006, I had noticed that a late-spring snowstorm was barreling towards the southern Sierra range, with Yosemite National Park dead in its tracks. I took this as an opportunity to get into the park and allow the storm to pass over me. That morning, I drove to the Valley (about 3 hours from my house) and spent the day shooting under mist and some light rain. Here in California, warmer air usually accompanies an approaching front with the cooler air behind the system. The following day, March 2, the storm pounded the Valley and the rain had turned to snow overnight. Howling winds also arrived, which can prove dangerous with heavy snow clinging to tree limbs. By the time afternoon rolled around, Highways 41 (the Park’s southern entrance) and 120 (the Park’s northern entrance) were closed due to multiple fallen trees and limbs. The only entrance still precariously open was Highway 140 (which runs through the Merced River Valley). I was staying at the Yosemite View Lodge (located alongside Highway 140 just outside the entrance to the Park). The snow level had dipped to 1500 feet and rangers were trying to get the remaining visitors out of the park.

During the day, I kept driving the loop (Northside and Southside Drive) looking for photo ops as conditions were changing by the minute. As the snow pounded the Valley, scenes would change inside of 30-minutes. I kept noticing another photographer who was about my age and we at one point kidded that we were the only two nuts left in the park. I thought to myself at one point, “now there’s a guy as crazy as me, he must be pretty passionate about his photography.” Little did I know how passionate!

After about my sixth loop, a park ranger stopped me. It was about 3:30pm and I had been listening to a Bay Area news channel. They were reporting that this “fast-moving” storm had cleared San Francisco and sunny skies were emerging. I had spent many years living in the Sierra when I was younger. I had been chasing my dream of making the US Ski team and in the process, had become quite adept at reading weather patterns and how they affected the Sierra Mountain Range. I worked some quick math in my head and felt I had a better-than-average chance of catching a clearing storm from Tunnel View if I could wait-out the storm. The ranger had other ideas. I know his job was to think safety first, and he strongly suggested that I hightail it back to my hotel and forget about photography. “It will be great in the morning when you come back,” he said. To which I confidently replied, “I think this storm will break within the next two hours!” When I told him that I had been monitoring the storm on the radio, he said that I was wrong and that this storm was forecast to go through the night. I could see that I wasn’t going to win that argument, so I kindly thanked him and proceeded towards the park’s exit along Northside Drive.

A Message From a Higher Power

I made a quick stop at the famed Valley View location, but the clouds had sunk into the Valley and I could not see more than 50 yards out. At that point, I seriously thought of heeding the ranger’s advice and calling it a day. As I pulled away, there is a short stretch of road before I would have to make a quick decision: either proceed out of the park, or turn left over the Pohono Bridge and drive to Tunnel View. As I crept along contemplating my decision, a bolt of sunlight suddenly shafted through the trees. I had just finished a prayer in which I asked God what to do (I’m not making this up). Obviously, my answer was immediate and I bolted to the Tunnel View parking lot.

Upon arriving, I noticed a ranger (sitting in his truck) and four shadowy figures with tripods covered in snow. I tapped on the window of the truck and asked the ranger if I was allowed to be there. Unlike his partner, he said that legally he could not kick me out and also added that if the storm was to break, I would be in for a huge treat (he must have been a photographer).

I grabbed my gear and headed towards the shadowy figures. Unsurprisingly, one of the snow-covered photographers was the gentleman I had bumped into during my earlier stops. “We meet again,” I joked. He shook my hand and introduced himself as Gary Hart. Over the course of the next 90 minutes, we talked about a lot of subjects and quickly found out we had many similar interests: from our mutual love of sports to our love of photography. Our wife’s even had the same birthday (which was yesterday – Happy Birthday Beri and Sonya)! We found out we were also the same age (Gary only a couple months older than me). Gary had been in the tech world and had quit cold turkey to make a living as a landscape photographer. I, on the other hand, had already been in the business for many years but as a sports photographer. I was hoping to make the transition into landscape but was scrambling to figure out a path. Somewhere during the course of the conversation, Gary mentioned that he was going to start teaching photo workshops and was looking for and assistant instructor. He wanted to know if I was interested and I immediately said “yes!”

Let the Show Begin

One of the interests we both had was weather. We had both joked that if we weren’t photographers, we would possibly had become meteorologists. I told Gary that I had been tracking this storm (we did not have smart phone with doppler apps back then) and through my experience of living in the mountains, felt we had a better-than-average chance of getting a clearing storm at sunset. I told him about the shaft of sunlight and he said he witnessed it from Tunnel View. I kept the prayer part to myself only later to find out that Gary’s dad was a minister. Looking back, I think Gary’s dad may have had a thing or two to do with the sent message.

There were three other photographers who hung out and joined in the conversation. As I recall, one may have given up, but Gary and I were thoroughly committed to staying through sunset time. As that time neared, we began to notice a break in the clouds above. This is when the adrenaline started to kick in. I quickly forgot about how cold and wet I was got to work making images. Then, the mist in the Valley parted and the scene you see here opened up in front of us. I was speechless. I remember thinking to myself, “come on sky, catch some color.”

A Very Surreal Moment

I have never before, or since, been at Tunnel View feeling as if I had the location to myself. It just doesn’t work that way. Millions of photographers pass this way every year; yet, here was this amazing clearing storm scene, and I was one of only a handful of people on earth with a front-row seat. Persistence pays off, but this was over-the-top! Quietness has a sound all to itself. All I heard over the next 20 minutes was clicking shutters and whispers of, “I can’t believe this!” Surreal is the best adjective I can come up with. The color had arrived and matched this incredible scene. Either one of the two would have been enough for a great image, but to have them both together was almost a miracle – what are the odds with the timing of all this, I thought to myself?

When it was over, I not only had some incredible images, but looking back, I more importantly had a new friend and the start of a new career in the making as a landscape photographer.

From Then Until Now

Well, as the saying goes, the rest is history! Gary did follow through, and as promised, contacted me to help with his first (of many) Yosemite workshops. I remember saying to him, “no contracts, I’ll take this one at a time.” We worked quite a bit together those first couple of years and garnered a following of many photographers we now call “good friends.” I even credit Gary with giving me the confidence to step-off and start my own workshops (which I did with a Spring Big Sur workshop in 2007). Over the ensuing years, we have both built our workshop business’s to the point that we can only co-teach a handful of workshops per year. In 2013, we will be together 8 times (I’ll help Gary on three of his, and vice-versa, and we will co-teach our first venture this August at the Grand Canyon – 2 Monsoon workshops).

More importantly to me, our friendship continues to grow. As Joe Walsh once said of the Eagles, “we are a couple of creative alphas and that can lead to disagreements,”  but overall, the friendship (and partnership) has survived. We are two completely different photographers in our approach and processing, but end up liking the same images by-and-large. For our students, we both believe that this is invaluable as they learn there is no single way to accomplish making an image. Moreover, we are both heavily influenced by the late Galen Rowell and consider his classic book, Mountain Light, our photographic bible.

In the Near Future

The month of July is usually our downtime. We also joke that we are not getting any younger. I’m off in a couple weeks to have my left knee partially replaced and Gary is dealing with replacing his front teeth (which were knocked-out during a softball game – the ump forgot to duck)! We’ll both be on the mend in time for the Grand Canyon and look forward to the 11-plus hour drive from California – we’ll have a lot of stories to swap as the XM radio is tuned to Classic Rock! As they say in NASCAR, we are both just pulling in for a short pit stop – we’ll be back out on the track very soon!

2013 Photo Workshops

1st Annual Grand Canyon Monsoon and Lightning Photo Workshop – August 19 – 23, 2013 (co-taught with Gary Hart) (WORKSHOP SOLD OUT :: WAITING LIST ONLY)

2nd Annual Fall Color in Grand Teton National Park – September 28 – October 2, 2013 (WORKSHOP SOLD OUT :: WAITING LIST ONLY)

2nd Annual Fall Color in Grand Teton National Park – October 2 – October 6, 2013 (WORKSHOP SOLD OUT :: WAITING LIST ONLY)

5th Annual Arches/Canyonlands National Parks – Full Moon Over Red Rock, Arches and Canyons – October 15-19, 2013 (Hurry – Only (1) Spot Remaining)

3rd Annual Bryce/Zion National Parks – Hoodoos and Fall Color – November 4-8, 2013 (WORKSHOP SOLD OUT :: WAITING LIST ONLY)

2014 Photo Workshops

5th Annual Magic Light, Moonlight, and Pfeiffer Arch Workshop – Winter in Big Sur and the Monterey Peninsula – January 15-18, 2014

6th Annual Northern Arizona Workshop – Grand Canyon (full moon), Page (Horseshoe Bend and Upper Antelope Canyon) and Sedona – March 14-18, 2014 (Only 7 spots remaining)

7th Annual Springtime in Big Sur and the Monterey Peninsula – Wildflowers, Misty Fog and Headland Color – April 14-17, 2014

5th Annual Kauai Workshop – Garden Isle and Tropical Paradise – June 20-24, 2014 (early-bird signup discount  – contact me for details!)

Software Discounts

Photomatix Pro 4.2 type in code at checkout: donsmithphotography 15% discount

Nik Software type in code at checkout: DSMITH 15% discount

Topaz Software type in code at checkout: SMITHPHOTO 10% discount

Helicon Focus click on link to receive 15% discount

Hardware Discounts

Think Tank Photo (Receive a free gift for any order over $50 when you order using this link!)

NOTE: Use Promo Code WS-643

Promote Control

Purchase Prints and Cards

Click on this link to purchase prints and cards from a growing library of my favorite landscape images:

Purchase Fine Art Prints and Cards